By F.J.E. Raby
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Extra resources for A History of Christian-Latin Poetry (Oxford University Press Academic Monograph Reprints)
Sedgwick, The Origin of Rhyme (Revue Bénédictine, 1924, pp. ) in which it is argued that 'the interaction of music and verse produced rime. The author's argument is difficult to follow, but the article contains a great deal of instructive matter. It is clear, in any case, that music must have given an irresistible impulse to the use of rime. 2 I have deemed it prudent to follow somewhat closely (though I have softened the sharpness of his contours) Dom Suitbert Bäumer's Histoire du bréviaire (Fr.
122. html [01-01-2009 1:27:46] page_25 < previous page page_25 next page > Page 25 non ex virili semine, sed mystico spiramine verbum dei factum est caro, fructusque ventris floruit. Again, in Prudentius, a stanza appears like the following:1 peccator, intueberis celsum coruscis nubibus, deiectus ipse et irritis plangens reatum fletibus. Sedulius, in the fifth century, is the first hymn-writer to make any considerable use of rime, for it appears in nearly every stanza of the A solis ortus cardine.
Meanwhile, the development of the hymnary proceeded. Prudentius, Sedulius, Fortunatus, and the poets of the Carolingian renaissance were admitted, and the Irish Churches had flourishing native hymnaries of their own. One of the best known and most beautiful of 'Ambrosian' 1 M. , Paderborn 1907, i. 190. , i. 227. , i. 174, 232. It is worth noting that Charles the Great obtained from Monte Cassino a true copy of Benedict's autograph of the Rule, and that other copies were made by his order for circulation: cf.
A History of Christian-Latin Poetry (Oxford University Press Academic Monograph Reprints) by F.J.E. Raby